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The 8 Singing Voice Types: Find Out Yours Here!

The 8 Singing Voice Types: Find Out Yours Here!

As a voice teacher people ask me all the time about the different voice types.

Every singer wants to know his or her voice type.

Usually for two reasons:

1) So they know their range (how high or low they can sing) and…

2) So they know what they can expect out of their voice.

In fact, here’s an Exclusive Bonus: Download our FREE voice types cheat sheet.

I absolutely love this question because people are always surprised to learn their true voice type.

So let’s talk about the different voice types in popular music and what you can expect out of your instrument.

Before We Jump In, Remember…

No matter what level you’re at, the most important thing is that you are comfortable when you’re singing.

There’s no good reason for you to strain or hurt yourself in pursuit of high notes if they’re not comfortable.

how to sing vibrato

As a general rule of thumb:

If you’re not comfortable when you’re singing, you’re probably doing something wrong.

As we’ll see, knowing more about the different voice types certainly helps, but working with a qualified voice teacher is the best way to maximize your vocal ability.

So if you want a vocal program that will help you expand your range without straining, you can check out my complete singing course, Master Your Voice, here.

To learn your voice type and truly understand your range, read on.

Most Discussions of Voice Type Go Like This…

Lots of people determine their range like this:

“I’m a bass because I can sing low notes.”

When we dig a little deeper, we find out they think that because their choir teacher gave them bass parts.

Go down the road a few years and you’ve got a singer who thinks he’s a Bass and has never experienced the higher end of his voice.

But in reality, he was the only one in his class who could sing low notes, so that’s the part he got.

Unfortunately, this makes it difficult to sing smoothly from chest to head voice.

the two vocal registers and the bridge between

So after a while, he stops trying and says: “Hey, I just sing low. That’s how my voice is.”

What a waste!

It doesn’t have to be this way.

In fact, most singers form an idea about their voice as a kid and stop reaching to improve it.

That’s why many singers never experience the true potential of their voice.

So as you read this article, try to keep an open mind.

You may be surprised at what you discover.

The 8 Voice Types

The vast majority of voices fall into one of eight different vocal categories.

I’ve included several listening examples below, but for now here is the bare bones list.

The male voice types from lowest to highest are:

Bass

Baritone

Tenor

Countertenor

The female voice types from lowest to highest are:

Contralto

Alto

Mezzo Soprano

Soprano

That’s pretty much it.

Now, there are many factors that determine a singer’s voice type. Including:

Vocal Weight – the heaviness or lightness of your specific voice

Tessitura – the range of your voice where you sing most comfortably

Bridge Location– the place where your voice transitions between vocal registers

Range – the lowest note and highest notes you can sing

Timbre – the texture of the voice

Vocal registers – how large or small your different registers are

Speaking Voice – how high or low you speak

Anatomy – the length of your vocal tract (glottis to lips), size of vocal folds, body size

profile view of the mouth and throat

Before you go running for the hills thinking, “That’s way too much to think about. I’ll just sing low for the rest of my life”, let me reassure you:

While all these variables are important, understanding Vocal Weight, Tessitura and Bridge Location are by far the most practical.

Even if you don’t know your voice type, they’ll help you make a good guess.

So let’s talk about them.

Vocal Weight and Voice Type

Vocal Weight is the lightness or heaviness of your voice.

You can think of vocal weight as the difference between a cello and a violin.

three musicians playing on a rooftop

Yes, they’re both string instruments.

And they can even play some of the same notes.

But if two musicians play the same note simultaneously on a cello and a violin, you’ll still hear a difference between them.

Why?

Because of the size of the instrument.

The same idea applies to Vocal Weight.

A Bass (the lowest male voice type) and Tenor (a high male voice type) could hit the same note.

However, the weight of the sound the singers get on those notes will be totally different.

That’s Vocal Weight.

Also, if you’re watching these guys sing the same high note, you may see the bass struggling for the high note a bit more than the tenor.

Which leads us to tessitura.

Tessitura and Voice Type

Tessitura is the range of your singing voice that is comfortable for you.

And the high note in the last example was not the Bass’ tessitura.

But wait, how is that different from range?

Range is the measure of the lowest and highest note that a singer can possibly sing.

Tessitura is the range of notes where the voice is comfortable and at rest.

Tessitura is a much more important factor than range when you’re deciding what song to sing.

As a Tenor, you may be able to hit a G5 (range), but only sing comfortably up to a C5 (tessitura).

singer belting into a microphone

The C5 is much more doable if you had to sing it in a song.

Always remember:

The most important thing is that you’re comfortable when you’re singing.

If you feel like you’re dive-bombing to hit low notes or squeezing the life out of your voice to sing high notes, those notes are outside your tessitura. At least for now.

Ideally if you’ve been singing for a while, you can sing powerfully in all the registers of your voice (If you can’t, consider taking some singing lessons to help you make those transitions a bit smoother).

But when we talk about tessitura, we’re talking about the comfortable singing range that spans across all the vocal registers.

Not just the chest voice.

And that brings us to bridge location.

Bridge Location and Voice Type

Now that you’ve got an idea of how vocal weight and tessitura affect the voice, let’s talk about something we all have in common.

In speaking about voice types, Seth Riggs, founder of Speech Level Singing would always say that 99% of males are some kind of tenor and 99% of females are some kind of soprano.

Seth Riggs, founder of Speech Level Singing

What did he mean by this?

It seems to defy everything we’ve discussed so far.

Seth realized that most of his clients struggled with finding a connection between the different registers in their voice.

This transition between the chest and head registers is called the bridge or passagio.

Seth Riggs noticed that most men and women transitioned to their second register at about the same spot: around E4 for men and A4 for women.

So why does that matter?

Because finally someone was able to point to a music staff and say this is where the trouble spot is.

No matter which voice type you’re talking about, most men are going to have a tough time singing that E4 and most women have a hard time singing an A4.

That knowledge allowed Seth to create a vocal technique that addressed the need for singers to hit high notes without strain or falsetto, regardless of their actual voice type.

So from a practical perspective, if you can’t sing throughout your range comfortably (tessitura), what’s the point in discussing voice type?

It’s better to get the whole range comfortable, then worry about choosing songs that fit your tessitura and vocal weight.

Examples of the Different Voice Types

So what do vocal weight, tessitura and bridge location have to do with voice type?

Everything!

While you can always expand your range up or down (it’s easy with practice), tessitura is a much better indicator of where your voice really shines.

Likewise, knowing your vocal weight is helpful in choosing songs with notes that are right for your voice.

For example, if you’re a Baritone, it’s much better to hit an A4 with the full heft of your voice and let the Tenor sweat a C5.

If sung correctly, that A4 will sound just as good in your voice as a C5 in his.

And with our understanding of the bridge location, we’ll see that none of this matters if you’re unable to sing between your different registers.

So let’s take a look at the eight different voice types and some listening examples of each.

As you listen, ask yourself “How does my voice compare with this singer?”

Does your voice stay low and resist high notes?

Or are high notes relatively easy but you find yourself scraping the ground for the low notes.

Additionally, where do you hear their voice switch to a different register (if at all)?

Remember most of the men will bridge around an E4, and most women will bridge around an A4. 

Male Voice Types

Bass:

The Bass is the lowest male voice type with a tessitura of around E2-E4.

scale showing the highest and lowest notes

The Bass vocal sound is characterized by a low, rich rumble with a ton of vocal weight.

Man, I love the sound of a true bass. They’re so rare.

Here are a couple examples of popular basses:

Johnny Cash

Johnny Cash I Walk the Line

Barry White

Barry White – Can't Get Enough Of Your Love Baby.

Bing Crosby

As Time Goes By – Bing Crosby

Baritone:

The Baritone is a pretty common male voice type with a tessitura of A2-A4.

musical scale with lower and higher notes

The Baritone vocal sound is incredibly exciting because it has weight and when well-trained, it can be carried beautifully up to the higher notes in the male voice.

Here are some examples:

John Legend

John Legend – All of Me (Edited Video)

Hozier

Hozier – Take Me To Church

Michael Buble

Haven't Met You Yet

Tenor:

The Tenor is also a very common male voice type with a tessitura of C3-C5 and a lighter vocal weight than the basses and baritones.

musical scale for tenors

Tenors are my guys!

Growing up, I was always embarrassed at how people would mistake me for a woman on the phone.

Now I’m glad I’ve got those high notes.

Here are some Tenors:

Freddie Mercury

Sam Smith

Sam Smith – Stay With Me

Jason Mraz

Jason Mraz – I'm Yours (Official Video)

Stevie Wonder

Stevie Wonder – Sir Duke [HD]

Michael Jackson

Michael Jackson – Bad (Shortened Version)

Tenors are insanely popular in contemporary music right now.

Because of their ability to hit high notes with apparent ease, they’re all the rage.

But don’t despair Basses/Baritones.

You can sing high notes also.

If you’re a Bass, make your E4 sound amazing and you’ll the audience eating out of the palm of your hand.

Ditto for a Baritone singing an A4.

Countertenor:

The Countertenor, like the Bass, is a very rare voice type.

The countertenor has a tessitura of E3-E5 and the lightest vocal weight of all the male singers.

countertenor musical scale

When you hear these guys speak, if you couldn’t see their face, you’d think it was a woman you were talking to.

Their voices are so light!

There aren’t many countertenors in pop music today, probably because we love a mix of high and low notes and the low stuff is just not comfortable for countertenors.

But here’s a great example:

Bruno Mars

Bruno Mars – Grenade [Official Video]

Female Voice Types

Contralto:

The Contralto is the lowest female singing voice and like the Basses and Countertenors, they’re quite rare.

The Contralto has a tessitura of around an E3-E5 and a good amount of vocal weight.

the contralto musical scale

These are the ladies that almost sound like men when they speak or sing lower notes.

Here are a few examples:

Annie Lennox

Eurythmics – Sweet Dreams (Are Made Of This) (Official Video)

Nina Simone

Feeling Good -Nina Simone (Lyrics)

Lalah Hathaway

Angel (Live)- Lalah Hathaway

Alto:

The Alto is the second lowest female voice type and has a tessitura of F3-F5.

an alto musical scale showing each register

While this voice still has a good amount of weight, many trained Altos can hit huge notes at the top of their range.

Others stay low all the time.

Singer’s choice.

There have been some terrific alto singers in the last 30 years. Here are a few:

Tracy Chapman

Tracy Chapman – Fast car

Lana Del Rey

Lana Del Rey – Summertime Sadness (Official Music Video)

Amy Winehouse

Amy Winehouse – Back To Black

Mezzo Soprano:

The Mezzo Soprano has some of the most interesting vocal sounds available to her.

Like her male equivalent, the Baritone, the mezzo falls in the middle of the female voice types.

The Mezzo has a tessitura of A3-A5 with a lighter vocal weight than the Alto or Contralto, but with enough attitude to let you know how she really feels.

the registers for a mezzo soprano

Mezzo sopranos tend to make the highest notes sound incredibly exciting due to the weight they have in their voice.

Here are a few famous Mezzo Sopranos:

Madonna

Madonna – Like A Prayer (Official Music Video)

Lady Gaga

Lady Gaga – Bad Romance

Bette Midler

Bette Midler – The Rose (HD music video 1979)

Soprano:

The Soprano is the highest female voice type with a tessitura of C4-C6 and the lightest vocal weight of them all.

the vocal registers for a soprano

But don’t let their lack of weight fool you, modern music loves Sopranos because they can belt those high notes with power.

And since they have less vocal weight to carry around, you’ll notice that Sopranos have a lot of flexibility in the different registers.

Famous sopranos include:

Ariana Grande

Ariana Grande – One Last Time (Official)

Beyonce

Beyoncé – Halo

Whitney Houston

Whitney Houston – I Wanna Dance With Somebody

Mariah Carey

Mariah Carey – Vision Of Love (Official Video)

What Voice Type Am I?

Now that you’re starting to see how your voice stacks up with these great singers, it’s time to determine your voice type.

Remember, voice type is directly connected to your range.

So here’s how you find it:

  1. Download the voice types cheat sheet (don’t worry, it’s free).
  2. Go to a piano or download a free digital piano app–I like the app “Real Piano”. It works for Android and Mac.
  3. Find Middle C (labeled C4 on Real Piano) and sing the note on an “Ah” vowel.
  4. Once you’ve found the note, sing “Ah” on each note downward from Middle C until you hit your lowest note.
  5. A good rule of thumb is that a man will probably be able to sing down to a C3 and below and a woman will be able to sing down to an A3 or below.
  6. Mark the lowest note you can sing.
  7. Next, find Middle C again and repeat the process except moving up from Middle C to as high as you can sing on an “Ah” vowel.
  8. Mark the highest note you can sing.

Next, compare the lowest and highest notes you can sing to the voice types cheat sheet you downloaded.

Of course, just because you can hit low notes like Johnny Cash, that doesn’t mean that you’re a Bass.

Is your voice truly comfortable in his range?

Also, do you have the same vocal weight as his voice?

The bottom line is this:

All voice types are created equal.

There’s no shame in being a Baritone versus a Tenor.

You can always work on your voice in singing lessons if there’s something that you want to fix.

But be glad that you have your own unique voice.

If you’re new to singing and still have a break or flip in your voice when you sing an E4, then it would be wise to avoid singing in that area when you’re performing.

Of course, if you’re taking voice lessons, we’ll isolate that specific area of your voice and work on it until you have a beautiful, powerful note.

But let’s pretend you’re starting from scratch…

If you’re a baritone, you still have plenty of songs with notes that fall below E4 (the bridge note where most men have a break in their voice).

Ditto for Basses.

In fact, you could argue that it’s more important for Tenors and Sopranos to fix their break than any voice type since they have so few notes on the bottom to work with.

Here’s a quick reminder of the Tenor range:

voice types

These voice types have a pretty limited range if you don’t have a strong upper register.

Soprano range:

voice types

Sure they’ve got tons of head voice, but if there’s no power to the sound, then they’ve really only got a little more than an octave to work with.

Now, I’ll admit that while it’s possible to have a career singing mostly low notes (look at Lana Del Ray and Johnny Cash), in commercial music these stars are few and far between.

We live in the age of high notes.

And everyone’s trying to outdo each other.

That’s why it’s more important than ever that singers of all voice types work on their voices to achieve their full potential.

But remember:

Don’t push yourself to hit notes that are outside your comfortable singing range.

How Do I Get the Most Out of My Voice?

If you’re a Bass, you should be working to sing an E4 to the absolute best of your ability.

It’ll sound just as exciting as a Tenor’s high note.

If you’re a Baritone that means working to sing up to an A4 with the rich and full quality that your vocal weight is built for.

If you’re a Tenor and you have a break between your chest and head voice, you shouldn’t rest until you fix that.

Once your voice comes together, the world will be your oyster.

If you’re an Alto, make that A4 shine with the glorious weight that your voice was blessed with.

If you’re a Mezzo Soprano, that means singing an A5 with the full and beautiful sound that Sopranos will be totally jealous of.

And if you’re a Soprano, we’ll just stare in awe as you shatter glass with a C6.

The point is that the getting the most out of your voice type depends completely on how hard you work at it.

That’s why taking regular weekly singing lessons with a qualified voice teacher is the quickest way of maximizing your vocal abilities.

How Can I Put This to Use With My Own Voice?

I created a free voice types cheat sheet that you can use to apply the most important info from this post in your own singing.

The cheat sheet contains the ranges for all 8 voice types, laid out in an easy to read keyboard format so you can check your range at home.

And the best part? I also included the most famous singers from each singing category.

That way, you can start learning songs and know that they’ll be in a good range for you.

Now I want to hear from you.

Leave a comment below and let me know your voice type and any questions you have.

I respond to every message.

And don’t forget:

Click the big download button now to get the free voice types cheat sheet!

33 Comments

  • by Paula Starche Posted October 12, 2015 1:18 pm

    Until you explained the percensttage of voice types, I had assumed the opposite. And I understand better how the exercises work to get me to my true voice range by reading some of your other articles. Thanks!

  • by Lele Posted December 26, 2018 6:53 am

    Thank you for such an informative article! I’m so excited to know my real range 😀

    • by Matt Ramsey Posted December 29, 2018 7:08 pm

      So glad you found it helpful Lele!

  • by Ronald Posted December 27, 2018 6:49 pm

    I HIGHLY DOUBT ANYBODIES TESSITURA STRETCHES OVER 2 OCTAVES.

    E2 – E4 IS THE COMMONLY CITED RANGE FOR A BASS, I.E. THEY ARE THE EXTREMES, NOT THE COMFORTABLE RANGE. MOST MEN MAKE THE SWITCH TO HEAD VOICE BETWEEN C4 AND F4.

    TESSITURA IS USUALLY MEASURED IN SINGLE OCTAVES OR LESS AND CAN RANGE FROM SINGER TO SINGER.

    • by Matt Ramsey Posted December 29, 2018 7:09 pm

      Hey Ronald, thanks for your comment. While individual tessitura will vary by the singer, two octaves is a standard comfortable singing range.

  • by Alexa Posted January 27, 2019 9:03 pm

    Well, according to your article I’m something between a tenor and baritone… I’m a female so idk man

    • by Matt Ramsey Posted January 28, 2019 12:28 pm

      Hey Alexa, thanks for your message.
      Like I said, these ranges are just guidelines for determining voice type.
      So if you’re finding that your range is closer to a Tenor, you would probably be classified as a Contralto.
      Go and sing some Eurythmics or Lana Del Rey!

  • by Ray Posted February 17, 2019 5:41 pm

    Thanks! Very well done!!!

    • by Matt Ramsey Posted February 18, 2019 11:34 pm

      You got it Ray. So glad it helped you!

  • by Michelle Posted April 15, 2019 12:25 pm

    Im not a singer, but maybe you can answer this for me. I just discovered The singer Orville Peck. He seems to have the widest vocal range of any singer I’ve heard. I’m really curious about the exact range & whether it spans 6 or 7 octaves.

    • by Matt Ramsey Posted April 16, 2019 10:21 am

      Hey Michelle, maybe you can give me some idea of what song you’re curious about? I listened to “Dead of Night” and it sounds like a pretty typical 2.5-3 octave range. He sounds like a tenor to me. Hope this helps!

  • by Boudica Posted May 1, 2019 3:31 am

    You list Freddie Mercury as a tenor, but He sang as a baritone as well:

    Ensueno:
    https://www.youtube.com/watch?v=vZ7OLCPsiiE

    The Golden Boy:
    https://www.youtube.com/watch?v=OPizyP4x30I

    (For some reason I CAN’T TURN off the caps in this comment, so my APOLOGIES for posting in caps)

    • by Matt Ramsey Posted May 3, 2019 8:28 am

      Hey Boudica,

      Thanks for your comment.

      Yes, Freddie could sing in the Baritone range, but his voice type was a Tenor.

      You can tell by the amazing clarity and lightness of his voice.

      A true Baritone would sound much heavier and darker.

      Love the songs you shared.

  • by Bea Posted May 5, 2019 4:18 pm

    When Whitney Houston and Beyonce got up to soprano? They are mezzo-soprano. Yes they can sing HIGH NOTES, but as you said the most important is the TESSITURA.

    • by Matt Ramsey Posted May 9, 2019 2:47 am

      Hey Bea, thanks for your comment! I would still definitely categorize Houston and Beyonce as Sopranos.
      There’s some flexibility in thinking about what kind of Soprano they are.

      But I really like to think about the weight of the voice.
      As in: how big of a voice is this?

      With Whitney, it’s pretty easy to see that she has a really light and flexible voice.
      With Beyonce, I could definitely see her as more of a mezzo.

      Thanks again!

  • by Wil Posted June 13, 2019 2:18 pm

    I know i’m a countertenor, but the lowest note i can reach is C2. I want to be able to use my lower register, but singing that low currently sounds to breathy and i am stuck using my throat. Is there actually anyway to learn how to properly sing that low or should i stick with my higher ranges?

    • by Matt Ramsey Posted June 13, 2019 6:28 pm

      Hey Will, thanks for the question.
      I would have to hear what you’re doing down there to know for sure.

      In many cases, I wouldn’t worry about singing lower than a C2, especially if you have tons of high notes.

      There’s plenty of great male tenor music that never gets close to that low.

  • by PiEtra Posted June 17, 2019 7:32 pm

    Hey! Is there any possibility to a girl to be a tenor? I was Classified as contralto but my tessitura mAde me sing with the tenors and it feels much betTer. I can reach preety low notes (my lowest note is A1) and it is Completely impossible for me to sing anYthing hIgher than G4

    • by Matt Ramsey Posted June 18, 2019 2:07 pm

      Hey Pietra, thanks for the question.
      Technically, you would still be classified as a Contralto just because it’s the lowest for your gender.
      That doesn’t mean that you can’t hit the same notes as a Tenor, just that you have the same vocal weight and sound of a Tenor.
      Hope that helps!

  • by Rose Posted July 12, 2019 7:01 am

    I would like to point out that Alto is not a voice type. You only use it to refer to the lower female part in choral music (which is sung by mezzos and contraltos). Also, Beyoncé definitely has a heavier vocal weight than Lady Gaga (as you can hear on the song “Telephone”) so she cannot be a soprano if Lady Gaga is a mezzo (if anything, their voice types are reversed). Bing Crosby was definitely a baritone, even though he spent a lot of time singing in a “bass” range.

    Oh, and I’ve already been classified as a soprano. The problem is, I still don’t have that high C.

    • by Matt Ramsey Posted July 13, 2019 11:40 am

      Hey Rose, thanks for your comment. I would argue that the Alto is definitely a voice type since almost every singing technique and genre acknowledges it. The alto’s vocal folds and tube length (glottis to lips) will be a bit bigger and longer than that of the Mezzo and Soprano.

      As far as Gaga and Beyonce, I would say that it can be subjective depending on which song you hear. I definitely think Gaga has more weight in her voice than Beyonce IN GENERAL.

      But it’s great that we can have an informed conversation about this.

      Regarding your high C, consider taking a lesson, I’m sure we can get that for you!
      https://ramseyvoice.com/book-singing-lessons/

  • by Morgan Posted July 13, 2019 12:49 am

    Hey so a big Discu on freddie mercurys singing voice. In the range of freddie mErcury he had around fOur And Half ocTaves from his studio recordings and sang in tenor. But he was actually naturally a baritone Rather than tenor. And he knew That As well. He didnt Sing many famous songs untill the album with monserAt becauSe he was afraid pEople woUldnt RECOGNISE His voice.

    • by Matt Ramsey Posted July 13, 2019 11:42 am

      Hey Morgan, thanks for your comment. I would argue that Freddie was a Tenor that could sing in the Baritone and Bass range as well. You can hear the lightness of weight in his speaking voice here:https://youtu.be/azfHrtgaLgc

      And while that’s not the only criteria for matching voice types, I would say that it’s a pretty good starting place.

      Remember, just because you can sing Bass notes does NOT mean you’re a Bass.

  • by ANON Posted August 15, 2019 10:10 pm

    ***SORRY FOR THE CAPS, TRIED EVERYTHING BUT IT WON’T GO TO SMALL.

    ANYWAYS, I KINDA FIND THIS WHOLE ARTICLE, THOUGH INFORMATIVE, TO BE … NOT QUITE AS IT SHOULD BE.

    BUT BEFORE I CONCLUDE, WOULD LIKE TO KNOW: … “AT WHAT AGE DOES ONE REACH THEIR VOCAL PRIME? OR THE PEAK OF THEIR VOICE TYPE RATING. LIKE IF SOMEONE STARTED OUT AS A SOPRANO AT AGE 20, DO THEY STILL REMAIN A SOPRANO AT AGE 50 AND BEYOND, WHEN THEY’VE GONE THROUGH ALL THE CHANGES THE VOICE NEEDS?

    DEPENDING ON WHAT ANSWER IS GOING TO BE GIVEN, I’D LIKE TO SAY THAT BEYONCE, MARIAH CAREY AND WHITNEY DIDN’T BELONG ON THE LIST OF SOPRANOS. JUDGING BY THEIR VOICES NOW. PLUS, IT WAS DUE TO THEIR GREAT TECHNIQUES THAT ALLOWED THEM TO REACH THOSE NOTES WHICH WERE PROBABLY SUPPOSED TO BE IN SOPRANO DOMAIN.

    EITHER WAY, IT’S JUST MY THOUGHT ON THE MATTER.

    SO I’D LIKE YOURS ON THIS TOO;

    WHAT IS MY VOCAL TYPE IF MY FULL RANGE GOES FROM A VOCAL “FRY’D” G1 TO A NOT SO OKAY B7 (WHICH I CAN’T DO UNLESS I PUT IN MUCH EFFORT). BUT A STABLE RANGE OF E3(F#3 AS MY MOSTLY EASILY SANG LOW NOTE) TO A C#6 IN MIX AND HEADVOICE ALBEIT IN GOOD DAYS (WITH A5 BEING THE CONSISTENTLY HIT HIGH NOTE) AND AM A GUY.

    THANKS.

    • by Matt Ramsey Posted August 17, 2019 10:30 am

      Hey Anon, great questions. Lots to unpack here.

      First, range is not the ONLY indicator of a singer’s voice type.

      Like I mentioned in the article, vocal weight, tessitura and bridge location are also very important.
      So, when you were wondering about singers like Mariah and asking if they’re still Sopranos, I would say yes.

      Just because someone loses a few notes at the top of the voice does not mean that they are a different voice type, since the vocal weight, timbre and bridge locations are about the same.

      Also, the correct classification of a singer’s voice type assumes that they’ve had some vocal training.
      I have a lot of male students who have never sung above an E4 before because they didn’t know how to sing through their bridge.
      So they went through their whole lives thinking that they were Basses when really they’re just untrained Tenors.

      In answer to your other question, the voice continues developing throughout the young life and begins to settle into it’s final range around the age of 40. Then the voice begins to change as we get older.

      Finally, I wouldn’t count vocal fry or whistle register in your range. So just based on your “stable range” (what I would call tessitura), it sounds like you’re some kind of tenor. But again, it’s important to take into account how heavy your voice is and where your bridge begins.

      Hope this helps!

  • by Sophie Posted September 29, 2019 6:31 pm

    Im a 14 year old girl who auditions many times a week and am often asked to put my voice part on my resume, but since my vocal range is so large, i am not really sure. i am huge musical theatre belter ranging from d3-c7, can you help me?

    • by Matt Ramsey Posted October 1, 2019 9:44 am

      Hey Sophie, thanks for your message! Although range is not the only determination of your voice type, it can help.
      With the extremely high end range that you listed I think you’d be safe in assuming you’re some sort of Soprano (Mezzo or Soprano).

      Also listen to your vocal tone. Does your voice sound heavy, light, brazzy, whispery? These can also be clues to your voice type.
      Generally the heavier and thick the voice, the lower the voice type (Lady Gaga is a Mezzo whereas Ariana Grande is a Soprano).

  • by Ismael Posted October 17, 2019 9:56 am

    So, I’m a man, my tessitura is like d2 to d4 but I do not sound like a bass at all, I sound like a baritone, I sound like john legend, like, exact same, if it isn’t a little higher pitched, so I do not understand, my range is like f*1 to eb7, so yep I truly need help haha. and also, i’m a sopranist, i do Ariana Grande high belts easily with my falsettos, up to b5 if i trained for like 10 minutes. So yep, what do you think, cause even a bass does not have a tessitura like mine!

    • by Matt Ramsey Posted October 17, 2019 3:20 pm

      Hey Ismael, thanks for your question! Yes, that’s quite a range you have.

      If I understand correctly, you have a comfortable singing voice from d2 to d4, then can belt your falsetto voice up to around a B5. Good stuff!

      Based on the info, I would say you’re some sort of Tenor. Either Tenor or Baritone. If you feel like your voice is as heavy as John Legend, then perhaps baritone.

      However, I would say that the most important thing for you right now is developing your mixed voice so you have a smooth transition at that D4 up to the B5. It should sound like one single voice all the way through. Rather than stopping around a D4 and having to push or strain up to the B5.

      Here are some exercises to help you do that: https://ramseyvoice.com/fix-vocal-break/

  • by Ren Posted November 22, 2019 9:52 pm

    Hello iDOL, THIS IS SO INFORMATIVE AND EXCITINGLY OF GREAT VALUE TO MY SINGING WITH MORE CONFIDENCE…MINE IS BARITONE TO countertenor but i guess the most comfortable is at the tenor range probably due to glamor on the songs of those artists there. thanks a lot and god bless

    • by Matt Ramsey Posted November 23, 2019 12:27 pm

      Hey Ren, thanks for your kind words! Yes, if you can hit Baritone and Countertenor notes, most likely you’re a Tenor.
      Keep up the great work!

  • by Anon1 Posted November 25, 2019 9:17 pm

    Thank you for the article Matt, it was so informative on helping my understand voice types! I’ve started singing much more often in last year or so, as I find playing my bass is more fun that way, in addition to singing when my friend and I jam along together. Also, sorry for all caps lock, it seems to be stuck like this for some reason.
    I’m having some trouble classifying myself. First off, my range seems to be quite normal, being about e2 – B5 (c6 at a push, but it’s very hard). i find that I can go lower to about a1/b1, but it’s hard to CONFIRM, and below my chest voice so I’m not sure it even counts really.
    Range aside, i’m more interested in my vocal type. My tessitura matches your stated tenor; C3-C5 IS EASY FOR ME TO SING, WITH MY NORMAL SPEAKING AND THEREFORE CHEST VOICE BEING AT ABOUT A C3 AND NEEDING A DEFINITE HEAD VOICE AT ROUGHLY A4. I’ve noticed I have lightly darker timbre THAN THE TENORS YOU’ve listed, which makes me think I could just be a BARITONe that sings a bit higher. Some people I know seem to think i’ve got a deep-ish voice – I’m constantly mistaken for my dad on the phone, and his voice is deeper than mine I’d say. However, i see myself to have quite a light SPEAKING voice, but not that high in PITCH. So I was just wondering what you thought in regards to my voice and what type you personally would say I’m most similar to. I’d like to be able to know what I CAn call myself as a starting singer, and find songs that suit my singing better while jamming with it friends!
    I understand you probably get questions like this every day though, so I apologise if this comment looks very familiar. Again, thank you for writing this article!

    • by Matt Ramsey Posted November 26, 2019 5:51 pm

      Hey Anon, this is a great question!
      Yes, you seem to fall in the general range category of tenor, but as you said, the vocal weight is the most important thing to consider.
      For that reason, I would say that you’re probably some sort of Tenor. Perhaps a dramatic (deeper) Tenor.
      Hard to say without a recording.

      But based solely on your range, I would say Tenor sounds right!
      Thanks again.

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